
(Source: theburiedlife)
Folk metal mosh pit.
THE SHIRE CAN’T EVEN HANDLE ME RIGHT NOW
(Source: peregrint, via deadbedfellows)
![thedailywhat:
This Is All Kinds Of Wrong of the Day: The Trayvon Martin gun-range target was bad enough. Then a bunch of white kids had to go and launch multiple #Trayvoning Facebook groups (that have since been removed).
Trayvoning is like Tebowing, except totally the opposite — white (and apparently, black) kids pose as a gunshot victim, wearing a hoodie, and holding Skittles and an iced tea, which is what Martin had on him when George Zimmerman shot him to death in February.
Facebook group members said they were merely combating “racism against whites”: “White people are becoming more and more oppressed.”
[hypervocal]](http://25.media.tumblr.com/tumblr_m4l9thA3TQ1qzpwi0o1_500.jpg)
This Is All Kinds Of Wrong of the Day: The Trayvon Martin gun-range target was bad enough. Then a bunch of white kids had to go and launch multiple #Trayvoning Facebook groups (that have since been removed).
Trayvoning is like Tebowing, except totally the opposite — white (and apparently, black) kids pose as a gunshot victim, wearing a hoodie, and holding Skittles and an iced tea, which is what Martin had on him when George Zimmerman shot him to death in February.
Facebook group members said they were merely combating “racism against whites”: “White people are becoming more and more oppressed.”
wugs:
it’s not a true otp until you’ve sobbed about it while listening to mumford & sons
To Coldplay.
(via kuzunoha)
![[…] in very few societies is the idea of youth as fraught as it is in Japan. The nation’s culture of conformity — so often remarked on by outsiders (like LIFE, for example) to the exclusion of other aspects of the country — is an elemental reality of Japanese life. And with that culture of conformity comes a drive to rebellion that can, and has, at times resembled a quest for self-negation.
In 1964, LIFE photographer Michael Rougier (left, on assignment in Tokyo) and correspondent Robert Morse spent time documenting one Japanese generation’s age of revolt, and came away with an astonishingly intimate, frequently unsettling portrait of teenagers hurtling willfully toward oblivion.
Read more: http://life.time.com/culture/teenage-wasteland-japanese-youth-in-revolt-1964/#ixzz1uPiNHJwH](http://25.media.tumblr.com/tumblr_m3s0saT3ky1qzdp1io1_r1_500.jpg)
[…] in very few societies is the idea of youth as fraught as it is in Japan. The nation’s culture of conformity — so often remarked on by outsiders (like LIFE, for example) to the exclusion of other aspects of the country — is an elemental reality of Japanese life. And with that culture of conformity comes a drive to rebellion that can, and has, at times resembled a quest for self-negation.
In 1964, LIFE photographer Michael Rougier (left, on assignment in Tokyo) and correspondent Robert Morse spent time documenting one Japanese generation’s age of revolt, and came away with an astonishingly intimate, frequently unsettling portrait of teenagers hurtling willfully toward oblivion.
Read more: http://life.time.com/culture/teenage-wasteland-japanese-youth-in-revolt-1964/#ixzz1uPiNHJwH
(Source: ouiououi, via chonimitchell)
Dobby has no Master! Dobby is a free Elf! And Dobby has come to save Harry Potter and his friends!
When my theater screened Part 1 and 2 for the employees, I started crying when Dobby appeared in the Malfoy’s cellar scene because I knew what was going to happen and couldn’t handle it.
Never forget.
(via deadbedfellows)